Wednesday 14 July 2010

Surfer Blood LIVE

Surfer Blood LIVE @ The Garage, Islington 12/05/2010

I managed to catch Surfer Blood earlier this year at Camden Crawl and was completely blown away. With drunken revellers packed tightly into the den of inequity that is The Underworld, their shambolic, energetic set captured the anarchic atmosphere of the setting perfectly. The gig ended fittingly with lead singer John Paul Pitts crowd surfing across the room and scrawling 'WE'RE ALL GAY' in permanent marker on the Gaymers sponsor wall.

And so with a smile of expectant anticipation, I entered the Garage in Islington. Everything seemed in good order, the crowd consisting of a healthy mix of buzz-followers and more seasoned music fans. The lights dimmed and the band walked on to Motley Crue's 'Girls, Girls, Girls' blasting with spotlights searching the crowd... Evidently they were as expectant of a 'to-be-remembered' show as I was.

They opened with Fast Jabroni, a good introduction to their sound: surf guitars with LOUD bass and wistful, slightly dark lyrics enhanced by Pitts' Casablancas-esque vocals; in all their songs there is a smooth fusion of Pavement and The Drums with a bit of a sixties surfer vibe thrown in for good measure. The highlights were 'Harmonix' where the bass reached out and slapped you round the ears and 'Anchorage' which escalated slowly into punky joy. They also treated us to an extended version of 'Swim' which dissolved into beautiful guitars reminiscent of the Chili Peppers.

Their stage presence is equally as confident, buzzing with the fizz of youth they joke comfortably with the crowd and each other. It's good to see a new band surrounded by so much hype still having fun instead of taking themselves too seriously too soon.

This show would have been perfect save one thing- the crowd. Despite the raw energy of the songs and enthusiasm of the band , the crowd were embarrassingly subdued. The Blood had obviously planned to do an encore but the lukewarm reception had them asking 'Should we even come back out?'. I think it's a classic example of a band riding on hype without taking the time to build a loyal fan base (this gig had to be downgraded from Heaven). It's a real shame because these boys can really put on a show!

Thursday 8 July 2010

Glastonbury 2010


Trudging onto site last Friday for my fourth Glastonbury with the sun beating down on my back, a wall of cider-clutching Rolf Harris fans blocking my rucksack-laden way, I couldn't have been happier. (Well... at least I was an hour later sat in the Jazzworld area with a good ole strawberry cider).

What ensued in those 3 days was magical (like every Glasto); a secret gig by Thom Yorke and Jonny Greenwood, tartiflette and toulouse sausage, meeting a lion by a roaring firelog, the xx at nightfall, local natives and hypnotic brass ensemble in the sunshine, morris dancing, kangaroos, a covers band starting a Neighbours theme song singalong, the weird and wonderful Shrangri-La, back stage pints, the stone circle, freezing tents morphing into sweaty tents in an instant (horrible), lebanese mezze, the Pyramid crowd singing Lola with Ray Davies, radical poetry, watching The Middle East beside Mumford & Sons and Laura Marling, elderflower champagne, shit trapezists putting on a full scale pirate show.... agggggh!




On top of the beautiful weather, this year the Eavis' pulled out a stonking lineup to celebrate the festivals' 40th birthday. A far cry from where it all began with tickets selling at £1 (including a pint of milk, obvs) and T-Rex heading proceedings. The Park stage took the rosette for best new music this year, the line up was fantastic; highlights included Beach House, Villagers, Local Natives, Hypnotic Brass Ensemble, the XX, Thom and Jonny's secret gig (setlist included versions of Street Spirit, Pyramid Song, Karma Police, Wierd Fishes and Idioteque)... and I'm sure Dirty Projectors, Broken Bells and Midlake would have been awesome as well, unfortunately I missed them.

Have a listen to the best of The Park acts on Spotify:The Park